Yang, Ting-Ting is a multi-genre composer, arranger and collaborative pianist. Currently an undergraduate from the Yong Siew Toh Conservatory of Music, Ting-Ting is grateful to have her compositions premiered by renown artists and ensembles which include Percussionist Max Riefer (2016), Cellist Martin Jaggi from Ensemble Phoenix Basel (2017), and Trio Surplus (2017). Recently, her orchestra work, Portal, is the winning piece of North Carolina NewMusic Initiative Composition Competition (2019). Though a composition major, she has collaborated with numerous chamber groups, held piano recitals in the conservatory, and performed piano with the New Music Ensembles.
Dayton Kinney creates music that has won and has been recognized at numerous competitions at the international and national level. Performed in the U.S. and abroad, Dayton’s music has had notable performances by the International Contemporary Ensemble, the Durham Medical Orchestra, Rela Percussion, the Merce Cunningham Dance Company, the Zodiac Trio, and at Pittsburgh Opera. Her eclectic style is inspired by juxtapositions and accessibility, exploring the concept of tonal ambiguity through patterns, sectional comparisons, and repetition. Dayton is a doctoral candidate for a Ph.D. in Music - Composition at Duke University with John Supko as her dissertation advisor.
Ryan Ayres is a multi-instrumentalist and composer of television dreams, radio hallucinations, hypnagogic meditations, and pulsating landscapes. His work has been presented in concert halls, galleries, symphony halls, and even on VHS and cassette tapes. He writes everything from jazz to classical to electronic music and everything in between. Whatever the medium, Ayres’ music often deals with themes such as communication, cyclical patterns, extramusical references, memory, and the passage of time. He earned his Mater of Music in Composition from the Peabody Institute where he studied under Oscar Bettison.
Recent collaborations include Helix! New Music Ensemble, Volt Studios and Encompass New Opera Theatre. Recent performances of Ramchandran’s electroacoustic works include New York University’s Interactive Arts Performance Series and the New York City Electroacoustic Festival (NYCEMF 2018). He has provided music for on-line video branding content for a number of companies, including Proofpoint and Communities in Schools, as well as musical scores for independent and short films. He is currently a doctoral candidate in music composition at Rutgers University. He has received degrees from the University of California at Santa Barbara and Colgate University.
Born in Monterrey city in Mexico in 1991. Homero started his composition studies under the tutelage of Eduardo Caballero at the Escuela Superior de Música y Danza de Monterrey. Currently, Homero studies composition and music technology under the tutelage of Rodrigo Sigal and Francisco Colasanto at the Universidad Nacional Autónoma de Mèxico (UNAM) in Morelia, Mexico. His compositions varies from acousmatic pieces, mixed and instrumental works, from solo instruments to orchestral pieces. Homero's main aesthetic approach to music is the creation of atmospheres which reflect negative feelings, submerging the audience in Homero’s own state of mind.
Percussionist, Jacob Ottmer earned his degree in Instrumental Performance from Kent State University under the direction of Dr. Matthew Holm, Cameron Leach, and Zachary Mathes. During his time there he has held positions as the Principal Percussionist and Timpanist in both the Wind Ensemble and Orchestra, and has performed in the New Music Ensemble, Opera, and Steel Band. Jacob’s previous notable performances have been with the PRISMA Festival Orchestra, Monarch Independent Percussion, Santa Clara Vanguard as World Champion, and the Kent Blossom Orchestra. Jacob has also performed at PASIC each year during his undergraduate studies.
Haley Olson is a composer who seeks to blend improvisation with notated music. Her works have been performed by groups such as the ECCE Ensemble and the Occasional Symphony, and at festivals such as the Sparks and Wiry Cries SongSLAM. Haley holds a B.M. in Music Theory and Composition from St. Olaf College, where she studied with Justin Merritt and Timothy Mahr, and where she co-developed the St. Olaf Laptop Orchestra. She also holds an MM Composition degree from the Peabody Institute, where she studied with Michael Hersch. Haley is currently the composer-in-residence for Brown Memorial Park Avenue Presbyterian Church in Baltimore, Maryland.
Composer and conductor from Mexico. Degree in composition (MFA) Vermont Collegue of Fine Arts, Guitar and Composition at the Superior School of Music and Dance of Monterrey. He studied composition with Ramiro Guerra, John Mallia, Beat Furrer, Emmanuel Nunes, Salvatore Siarrino. Artist in residence at Millay Colony of the Arts, Djerassi Resident Artists Program, Production Research Laboratory Musical LIPM, and the Mexican Center for Music and Sonic Arts CMMAS.He studied conducting with Prof. Colin Metters (Germany), Harold Farberman (USA) and Miguel Garcia Ascencio (Spain). Cluster Prize 2018, Finalist: ALEA III International Composition Competition 2015, Composition Competition N.E.O.N. 2009.
John Moody, b. 1961, lives in Spartanburg, SC where he teaches Music Theory and Music Technology at Spartanburg High School. He has received commissions from Wind Ensembles, Chamber Ensembles and Choirs. His piece, “The Open Road”, for Wind Ensemble and Jazz Piano can be found on the recording “The Speed of Heat”, by the United States Air Force Academy Band, and his piece “Drip” won the 2015 “treefalls call for scores” competition. His “Six Songs of Spring” was chosen as a “finalist” in the 2016 NATS “Art Song Composition Award” and will be given it’s premier performance in early 2019.
Sergio Pérez, was born in Mexico, March 8th 1992. Composer, multi-instrumental and improviser, actually graduated in Music degree, most of his music is minimalist and acousmatic. Gonzalo Macias’s student in composition, orchestration, instrumentation, and electronic music classes. He actually is working in a 4 guitars and symphony orchestra concerto and a piece for chamber orchestra and fixed media. He works in UMPAC as teacher in art history, music story, counterpoint, harmony, piano and solfeggio classes.
Matthew Tozer currently resides in London, Ontario, Canada where he works as a freelance composer, sessional instructor, and operates a private studio. Matthew holds a PhD in Music Composition and is a strong advocate of music education. He is an associate member of the Canadian League of Composers and the Canadian Music Centre. Actively involved in the creation of new work through the collaborative process, Matthew’s compositions have been performed across Canada and Europe by groups such as: TorQ Percussion, Toy Piano Composers, The Bozzini String Quartet, The Erato Ensemble, The Vancouver Chamber Choir, and Soundstreams Canada, among others.
Gregory J. Watson (1993) is a composer and performer dedicated to the creation, production, and performance of new music. His music focuses on color, texture, and pacing. His work draws inspiration from a wide variety of sources, including minimalism, spectralism, avant-garde, ambience, drone, and noise. Watson has worked with and written for such ensembles as loadbang, occasionalNoise Trio, and The American Trombone Quartet. He is currently pursuing his Doctor of Musical Arts at the Frost School of Music at the University of Miami and teaches undergraduate aural skills through a Teaching Assistantship.
Born in Mayaguez, Puerto Rico in 2001. Victor first started writing music in 11th grade with the feedback of his band directors at Clear Springs High School with his first composition being a piano waltz titled, “The Waltz of a Life”. Currently, Victor is in his senior year of high school writing music for his indoor percussion ensemble, and a mixed instrumental trio written by him has been played at a school concert by members of the top band at his school. Victor plans to pursue a degree in music composition at the University of Houston so that he can share his passion for music around the world.
Nathan Mays is an active musician and versatile composer from the Gulf of Texas, who has collaborated with numerous musicians, dancers, and painters to explore the artistic bounds of modern music. He began studying composition in 2009 at San Jacinto Community College, finishing his Bachelors of Music in Composition at Sam Houston State University in 2013 and Masters of Music in Composition at Texas State University in 2016. An avid supporter of rock and jazz musics, these styles always find a place in Nathan's works, as he continues to search for the balance between popular and classical genres
Justin Langham is a performer, composer, conductor, and teacher based in Houston, Texas. Originally from Mobile, Alabama, Mr. Langham earned a double bachelor’s degree in trumpet performance and composition from the University of Alabama, his masters in trumpet performance at the University of Houston, and is currently working towards his doctorate at the University of Houston in trumpet performance and choral conducting. Mr. Langham has written in a wide range of styles, and has had works commissioned and performed around the United States, Italy, Japan, Denmark, Sweden, and Norway. As the founding member of the internationally renown trumpet & organ duo, Deux Voix, Mr. Langham has composed, arranged, performed, and recorded many new works to add to the repertoire of trumpet and organ music.
Stephanie Andrews is a composer, church musician, and educator who has taught piano, voice, composition, and general music and movement for nearly three decades. She currently resides in Austin, Texas, is on staff at Clearview Sudbury School of Austin, Texas, and teaches piano, voice, and composition at Velocity Music Academy in Cedar Park, Texas. Holding a bachelor’s degree in elementary education, a master’s degree in music education, and a Ph. D. in Curriculum and Instruction, she is highly active in the Austin classical music community as a singer and composer, with numerous recent local and national performances of her compositions.